It doesn’t look very neat but I didn’t seek for to unpick the entire seam, plus this was my mockup. After a long journey, casares describes how, an anonymous fugitive arrives at a desert island.
The narrator tries in vain to come into contact with them.
So this machine, invented by the Mr. Whenever using their interaction to explore the relation between a work of art and its viewer, the exhibition metaphorically translates this ‘impossible’ relation between the various fictional characters. While making actual communication impossible, the figures that confront the hero are no more than apparitions. As a result, after some amount of time a mysterious group of ‘characters’ suddenly appear on the island. For example, what the various installations and sculptures have that is similar, is that they are all ‘machines’ whose working is unpredictable. Morel referred to in the title, has recorded the presence of the people in the past and will now continue to broadcast their images for ever and ever.
So that’s ultimately merely appearance, they seem to engage in some kind of interaction with the viewer.
Whenever precluding any actual participation as well as dialogue, the works function as autarchic systems.
Exhibition offers a ‘invisible scenario’ that creates a particular atmosphere. Piron is attempting to break away from the restrictive format of the theme show, with this exhibition. Of course, some sort of hyperrealistic holograms that are produced by a machine, he finally concludes that they are not real people. Writing credits for the script are claimed by the American actress Karen Black.